We drive to the mountains -
who slumber silently beside (our back yard)
suburbia - to sit and watch
this sunset wash over us.
-
We climb passed tree roots
worn smooth
by the tread of other travelers’ shoes.
kicking stones and dry dirt
cracked tree bones.
-
We stop
to sit atop the ancient encircled slopes
and stare
down at our electric steal-street-light-staples
symbols standing to signify
something.
Perhaps, scraps of certainty
as a security
against the abstract outside.
-
As the bright body descends
over the world’s end
these street lights catch
our eyes as they match
the Sunset’s orange scent.
And the Stars, who they imitate,
start to sing above us
until the choir is a chorus
enchanting the now cold
Autumn Earth into dusk.
-
All the time, with my eyes half on the
enamel beetle cars who crawl not so far
along lanes littered with lights,
and the other half, my eyes on the horizon,
‘If we’re always looking at the sky,
how can we see what it is we’re standing on?’
-
and I sigh: The sky line is not a straight line.
-
Why, I say to my sister,
must we as a society sleep through this?
Why can’t we see the truth of it?
So beautiful that we cannot speak,
what else could this city seek?
-
The hills spill secrets when the cool wind
brings whispers with it,
they come,
crawling down trees and
wriggling out of the ground
life is not a dialectical arrangement
between work, recreation, wife
between money, education, life
it’s a seething,
spectacle that we’re born into engagement with.
-
How can we sleep through this?
Why can’t we see the truth of it?
So beautiful that we cannot speak,
what else could this city seek?
AmoresPerros (film ) Like water for chocolate (Laura Esquivel)
Make.
Putting the Wise in WHY.
Or vice versa.
?
Ah.
We held this bitf in m
Marylin ManRanSon
concrete cut-out consumed by life.
(via billie-eek)
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